Bachelard en casa y universo dice "de todas maneras, más allá de la casa habitada, el cosmos de invierno es un Cosmos simplificado. En una no guión casa, en el estilo en que el metafísico habla de un no-yo. De la casa a la no-casa todas las contradicciones se ordenan fácilmente. En la casa todo se diferencia, se multiplica. La casa recibe del invierno reservas de intimidad. En el mundo fuera de la casa, la nieve borra los pasos, confunde los caminos con ahoga los ríos, oculta los colores. Se siente actuar una negación por la blancura universal. El soñador de casas sabe todo esto, siente todo esto, y por la disminución del ser del mundo exterior, conoce un aumento de intensidad de todos los valores íntimos."

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Bachelard's musings on the dichotomy between the inhabited house and the winter cosmos are indeed fascinating, for they speak to the fundamental tension between the individual self and the vast, indifferent universe. In the house, we find a refuge from the chaos and flux of the external world, a space where distinctions are clear and order is maintained. It is a place of intimacy and familiarity, a sanctuary where we can cultivate our sense of self and forge deep connections with others. However, as Bachelard astutely observes, the winter cosmos presents a stark contrast to the comforting confines of the house. In this simplified, stark landscape, the boundaries between self and other blur, and the ego is confronted with its own insignificance in the face of the vastness of the universe. The snow, with its blanketing whiteness, serves as a potent symbol of this cosmic negation, erasing the traces of human presence and obliterating the familiar landmarks that anchor us in the world. And yet, paradoxically, it is precisely this confrontation with the vastness and emptiness of the winter cosmos that heightens our awareness of the intimate values that define us as individuals. In the face of the universal whiteness that surrounds us, we are compelled to seek out and cling to the deeply personal, idiosyncratic qualities that make us who we are. Thus, in this dialectic between the house and the winter cosmos, we are confronted with the paradoxical nature of existence itself, a perpetual negotiation between the particular and the universal, the intimate and the vast. And it is in this tension that we find the essence of human experience, the interplay of contradiction and harmony, of differentiation and unity. In the end, Bachelard's reflection on the house and the winter cosmos serves as a poignant reminder of the complex interplay between self and world, between the familiar and the unknown, between the intimate and the cosmically vast.